43 cards that take you through ancient realms like Avalon and Atlantis back to your own magic. Illustrated by seven artists, each with their own visual language.
Seven artists, one Dragonfae realm: from ethereal light to intense dark.
A tarot deck where quantum physics meets the traditional 78-card structure. Photographic imagery with spot-gloss finish translates scientific concepts into tangible symbolism.
For those seeking a rational yet deeply spiritual approach.
44 oracle cards based on Shingon Buddhism, compiled by Acharya Yūzui Kotaki and illustrated by Miki Okuda. Each card shows a Buddha or Bodhisattva with specific mudrās and colour symbolism from the Japanese esoteric tradition.
A meditative tool that makes the ancient teachings of Shingon Buddhism accessible.
A 44-card deck bringing together goddesses from different cultures. Rachel Johnson combines elements, chakras and moon phases in a visually rich oracle with an extra layer through the Arcana Goddesses.
An oracle that brings together mythology, symbolism and spiritual practice.
The Rider-Waite system in pocket size, recoloured by Mary Hanson-Roberts. The symbolism stays the same, but the warmer palette makes the cards softer and more approachable than the original version.
Fits in your pocket and follows the classic structure described in every tarot book.
Cats as tarot figures, drawn in warm colours with a classic Rider-Waite structure. This deck replaces human characters with cats moving through magical landscapes.
An accessible deck that combines the familiar structure with a soft, playful energy.
A compact version of the Rider-Waite-Smith system with soft, fairytale-like illustrations. The characters have expressive faces that make the emotional weight of each card immediately visible.
The small format and clear imagery make this deck suitable for daily readings.
Mary Hanson-Roberts was born in 1947 and passed away on December 16, 2020. She was a talented artist and illustrator known for her work on tarot decks, including the Hanson-Roberts Tarot Deck and the Universal Waite Tarot Deck. Her illustrations are characterized by their warm, detailed, and approachable style, often done in colored pencils. Hanson-Roberts' work is celebrated for its accessibility to both beginners and seasoned tarot readers, with decks that have been widely praised for their charm and usability.
The Hanson-Roberts Tarot Deck, first published in 1985, is celebrated for its charming and detailed illustrations. This deck is based on the Rider-Waite-Smith tradition but features softer colors and a fairy-tale aesthetic, making it accessible and appealing to both beginners and experienced tarot readers. The artwork is done in colored pencils, giving the cards a warm and approachable feel.
Mary Hanson-Roberts also collaborated on the Universal Waite Tarot Deck, where she recolored the original black-and-white illustrations by Pamela Colman Smith under the direction of Stuart R. Kaplan. This deck offers a more visually soothing alternative with softer, more naturalistic color tones.
The Whimsical Tarot Deck, another of her creations, combines traditional tarot symbolism with characters from fairy tales, nursery rhymes, and children's stories, providing a playful and imaginative twist to the tarot reading experience.
Hanson-Roberts' decks are noted for their small size, making them easy to shuffle and handle. The Hanson-Roberts Tarot Deck, in particular, has been voted one of the best tarot decks by readers on Aeclectic Tarot, a popular online tarot community.
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