Tara Cochrane built every card by hand as a physical collage – layers of paper, texture, and detail visible in the print. The deck is structured around the seasons: almost every card is tied to a specific time of year, which changes how you read it.
The first edition is limited to 1,000 copies.
Argentinian illustrator Coni Curi drew this deck in her signature NeoNostalgia style: vintage linework, lush plants and fruits, and a colour palette that follows the rhythms of nature. The structure follows the classical Marseille tarot, reinterpreted through her own visual language. The cards work with universal archetypes, numerology, and colour coding.
A deck that treats nature as a structural system, rendered in an aesthetic that recalls vintage botanical illustration.
This is the expanded deluxe edition of the Samhain Oracle by Lorraine Anderson and Juliet Diaz: 60 cards instead of the original 44, with 16 additional cards, five altar postcards featuring spells, and a card stand. The deck centres on Samhain, the Celtic New Year at the threshold between summer and winter, and the themes that come with it: ancestors, shadows, and the end of a cycle.
For those who approach Samhain as a serious ritual moment, this edition offers considerably more than the standard deck.
Stasia Burrington painted all 80 cards by hand in watercolor over two years. Built on the Rider-Waite-Smith structure, the imagery centers on bodies, presence, and the immediate moment rather than distant symbolism. A pink-blue holographic foil on the card edges shifts with the light and sits naturally alongside the soft palette.
This is the 2nd edition of the deck Burrington originally released through Kickstarter.
Tara Cochrane built every card by hand as a physical collage – layers of paper, texture, and detail visible in the print. The deck is structured around the seasons: almost every card is tied to a specific time of year, which changes how you read it.
The first edition is limited to 1,000 copies.
Dame Darcy drew and painted all 78 cards by hand, in a neo-Victorian style filled with sea creatures, shipwrecks, and nautical folklore. The pastel colours and faded vintage tones recall hand-drawn posters from the 1960s, while the imagery follows the classic Rider-Waite structure throughout. The card edges are finished with a high-gloss gold foil – reflective, not matte.
The plain white box gives almost nothing away about what is inside.
Jessica Ricchetti and Jenny Hahn built this deck around one idea: not what is missing, but what is already there. Hahn painted the 44 images by hand over a period of 25 years, largely as part of her own inner process. The guidebook works through every card in full, with contemplation questions, affirmations, and a practical ritual.
The paintings were never meant to be seen by others: they grew out of personal work, and that shows.
This guidebook accompanies the 60-card Emblemata Oracle deck and is rooted in the woodcut emblems of sixteenth-century French artist Claude Paradin. Nitasia Roland of Urania Press wrote the divinatory interpretations, working from Paradin’s original Latin and French mottos. The woodcut images were digitally restored and colorized from museum archive files.
A grounded reference that brings five centuries of emblematic tradition into contemporary oracular practice.
Tarot and technology Tarot and ChatGPT: where is the line? Research 2026Learning to readYour own intuition Do you ever doubt your own reading of a card so much that you combine tarot and ChatGPT? You draw a card and suddenly you are not sure any more. Is this what I think it is, or am […]
As the days grow shorter, the dark season naturally asks you to turn inward. This article shows how tarot and a little reflection help you embrace that quiet instead of fighting it.
We show you a new way to use fire, water, earth and air as your guide. With the four elements in tarot you read your deck faster and with more feeling, even before you know all 78 cards.
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